Artistic Advisory Board
Toby Appel was born in Elmer, N.J., and was a winner of Young Concert Artists and has appeared throughout the U.S. and abroad as a recitalist, concerto soloist, and chamber musician. He was a former member of the Lenox, Audubon, and Tashi quartets and has appeared at the Angel Fire, Marlboro, Mostly Mozart, Chamber Music Northwest, Ravinia, Santa Fe, Seattle, and Great Mountains (Korea) festivals among others.
Appel is a frequent commentator for National Public Radio’s Performance Today program and he has recorded on the Columbia, Musical Heritage, Delos, Desto, Opus 1, and Koch International labels. He was formerly on the faculty of the State University of New York—Binghamton, Virginia Polytechnic Institute, University of New Mexico—Albuquerque, and Carnegie Mellon University. He trained at the Curtis Institute of Music with Max Aronoff and Joseph DePasquale and has been on the college faculty at Juilliard since 1990 and on the school’s Pre-College faculty since 1999. (www.juilliard.edu)
Violist Hsin-Yun Huang has forged a career by performing on international concert stages, commissioning and recording new works, and nurturing young musicians. Highlights of her 2017–2018 season included performances as soloist under the batons of David Robertson, Osmo Vanska, Xian Zhang, and Max Valdes in Beijing, Taipei, and Bogota. She is also the first solo violist to be presented in the National Performance Center of the Arts in Beijing and was featured as a faculty member with Yo-Yo Ma and his new initiative in Guangzhou. She has commissioned compositions from Steven Mackey, Shih-Hui Chen, and Poul Ruders. Her 2012 recording for Bridge Records, titled Viola Viola, won accolades from Gramophone and BBC Music Magazine. Her next recording will be the complete unaccompanied sonatas and partitas of J. S. Bach, in partnership her husband, violist Misha Amory.
Ms. Huang regularly appears at festivals, including Marlboro, Spoleto, Ravinia, Santa Fe, and Music@Menlo, among many others. Huang first came to international attention as the gold medalist in the 1988 Lionel Tertis International Viola Competition. In 1993, she was the top-prize winner in the ARD International Competition in Munich and was awarded the highly prestigious Bunkamura Orchard Hall Award. A native of Taiwan, she received degrees from the Yehudi Menuhin School, the Curtis Institute of Music, and The Juilliard School. She now serves on the faculties of Juilliard and Curtis and lives in New York City. (hsinyunhuang.com)
Cho-Liang Lin was born in Taiwan. A neighbor’s violin studies convinced this 5-year old boy to do the same. At the age twelve, he moved to Sydney to further his studies with Robert Pikler, a student of Jenő Hubay. After playing for Itzhak Perlman in a master class, the 13-year old boy decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At the age fifteen, Lin traveled alone to New York and auditioned for the Juilliard School and spent the next six years working with Ms DeLay.
A concert career was launched in 1980 with Lin’s debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta . He has since performed as soloist with virtually every major orchestra in the world. His busy schedule on stage around the world continues to this day. However, his wide ranging interests have led him to diverse endeavors. At the age of 31, his alma mater, Juilliard School, invited Lin to become faculty. In 2006, he was appointed professor at Rice University. He is currently music director of La Jolla SummerFest and the Hong Kong International Chamber Music Festival. Ever so keen about education, he was music director of the Taiwan National Symphony music camp and youth orchestra for four years. (www.cholianglin.com)
Daniel Panner enjoys a varied career as a performer and teacher. As violist of the Mendelssohn String Quartet, he concertized extensively throughout the United States and Israel. He has performed at numerous music festivals, including Marlboro, Ravinia, Tanglewood, and Aspen, and he has collaborated with members of the Cleveland, Emerson, Guarneri, and Juilliard String Quartets. As a member of the Whitman String Quartet, Panner received the 1998 Walter W. Naumburg Chamber Music Award and served as teaching assistant to the Juilliard String Quartet for two years. He has taught at the Juilliard School, the Mannes College of Music, SUNY Stonybrook, and Queens College, and he has given master classes at such schools as Peabody, Hartt, and the North Carolina School of the Arts. He has performed with the Chamber Music Society of Lincoln Center, the Metropolitan Opera Orchestra, the New York Philharmonic, and the Orchestra of St. Lukes; he has also toured with musicians from Marlboro and the Orpheus Chamber Orchestra. (www.masongross.rutgers.edu)
Marcy Rosen has established herself as one of the most important and respected artists of our day. Los Angeles Times music critic Herbert Glass has called her "one of the intimate art's abiding treasures." She has performed in recital and with orchestra throughout Canada, England, France, Japan, Italy, Switzerland, and all fifty of the United States. She made her concerto debut with the Philadelphia Orchestra at the age of eighteen and has since appeared with such noted orchestras as the Dallas Symphony, the Phoenix Symphony, the Caramoor Festival Orchestra, the Orpheus Chamber Orchestra in Carnegie Hall, the Jupiter Symphony and Concordia Chamber Orchestra at Alice Tully Hall, and the Tokyo Symphony at the famed Orchard Hall in Tokyo. In recital she has appeared in New York at such acclaimed venues as Carnegie Hall, the 92nd Street "Y" and Merkin Concert Hall; in Washington D.C. at the Kennedy Center, Dumbarton Oaks, the Phillips Collection and the Corcoran Gallery, where for many years she hosted a series entitled "Marcy Rosen and Friends." In recent seasons she has given Master Classes and appeared on stage in Beijing and Shanghai, China, the Seoul Arts Center in Korea and in Cartagena, Colombia. (www.marcyrose.com)
Hailed "Queen of the Flute" (New York Magazine) at the outset of her, now, brilliant 48 year career, flutist Carol Wincenc was First Prize Winner of the (sole) Walter W. Naumburg Solo Flute Competition, as well as the Lifetime Achievement Award recipient from the National Flute Association, the National Society of Arts and Letters Gold Medal for Lifetime Achievement in Music, and Distinguished Alumni Awards from Manhattan School of Music and the Brevard Music Center. During the past two seasons she performed, recorded and gave masterclasses as an exclusive Burkart Flutes Artist in Beijing, Shenyang, Seoul, Warsaw, Prague, Venice, Nice, and Thessoloniki. In North America she performed as soloist and chamber musician from coast to coast, including Seattle, Phoenix, Dallas, Edmonton, Banff, Iowa City, Minneapolis, New Orleans, Tucson, Palm Beach, Sarasota, Philadelphia, Boston and her home city, New York. Recently she recorded an all Uebayashi album with the award winning Escher String Quartet, and video/audios in partnership with her collaborator/pianist Bryan Wagorn of the Metropolitan Opera. Most recently she and Mr. Wagorn performed to a sold out house at Weill Carnegie Hall for the "Naumburg Looks Back" series. (www.carolwincencflute.com)